The editing, the staging, and the choices made throughout the production contemporize the story, piquing viewers’ interest and conveying each scene’s emotions wholly despite the use of Shakespeare’s, at times, complex dialogue otherwise. The large stage door used as a divider between the Capulet party to the playful way the storage containers used during the Romeo and Juliet montage are fun choices directorial choices that make the production stand apart. There’s something so refreshing and intelligent using the stripped-down sets, the props, every inch of the stage and beyond to tell this story, further setting this performance apart from others that have come before them. O’Connor and Buckley’s chemistry is off the charts, and you are 100 percent along for the ride to watch the coupling and tragic parting of the iconic pair. Every member of the ensemble brings something unique to their characters that doesn’t leave one feeling flat. The cast is excellent, from Josh O’Connor and Jessie Buckley as the titular lovers to Tamsin Greig as Lady Capulet and David Judge as Tybalt. The staging keeps viewers enraptured and hooked on a story that’s been told repeatedly in many ways over the centuries. The staging adds tension and something different to the story that piques your interest from the opening moments. ![]() ![]() ![]() In the face of a historical pandemic and shuttered stages around the world, the National Theater put together a pared-down, inventive production of Shakespeare’s Great Performances: Romeo & Juliet telling the tale of two families forever divided in fair Verona united only by grief and loss.
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